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Books By Don Vaughan

Saddam:
The Face Of Evil





The Everything Civil War Book



The Everything Anti-Aging Book



16 Minutes From Home:
The Columbia Space Shuttle Tragedy




The Everything World War II Book



It's A Dirty Job...
Writing Porn For Fun and Profit!



Includes Paying Markets!

"...The greatest trait of this book is Terrega's enthusiasm for what she does and her conviction that anyone, yes, even you or I, can write porn."
Shanna Germain, Review Editor at Clean Sheets Magazine.

Click Here
to see why this e-book is all you need to learn how to write (and sell!) your work!
Or Order Here!



The
Write-Resume

Online Resumes For Writers!



Showcase your clips and promote your writing!



Sex-Writer.com


Updated market listings, articles and calls for submission!



What I Didn't Know:
By C.B. Potts



Thirteen of her best columns on sex writing!

Confessions Of A Porno Hack
By Don Vaughan


Anais Nin did it for a dollar a page. Ed Wood Jr. - the mastermind behind Plan 9 From Outer Space - did it between movies. Henry Miller turned it into a cottage industry.

Some of the world's greatest talents (and Ed Wood Jr.) have tried their hand at writing pornography. I have, too, though not nearly as successfully as those named above. In fact, my stint in the literary smut biz turned out to be one of the weirdest, most twisted experiences of my life and a hard lesson in how not to get rich.

The whole thing started with a Greenleaf paperback cutely titled Eager Beaver Bride by Nick Eastwood. A friend had tossed this much-read classic in the trash, where I found it and started reading. Five pages later I, too, threw the book away. "Christ," I muttered. "I can do better than that!" So I got the addresses of ten porno publishers and sent away for writer's guidelines. Greenleaf and Beeline kindly wrote back.

The guidelines for a Greenleaf book seemed the easiest - 40,000 words, heavy on the sex, no kids, animals or male homosexuality - so I decided to try them first.

After much mulling, I came up with the basic outline for what would turn into Weekend Wifeswap: Three couples who have known each other since college meet for a weekend getaway and have sex with each other. Pretty simple, I thought - and the numerous character combinations would easily help me meet the 40,000 word requirement.

I needed some conflict, though, so I decided to make the main character - Shelby Martin - a newcomer to the group. Initially she would be a little shocked by the freewheeling sexual ways of her new husband and his hedonistic pals, but eventually she'd learn to get in the groove. And this set up would lend itself nicely to a terrific orgy at the end.

No problem.

My first task was defining my characters. I decided to name them after my closest friends for easy reference, and outlined the story into several, easy to write chapters. Then I wrote down as many words for male and female anatomy as I could think of, since I didn't want to use the same ones over and over.

The actual writing was a piece of cake, or would have been if I hadn't been using a rickety Commodore 64 computer, a black and white TV as a monitor and an obsolete General Electric printer. I've since upgraded to a superfast HP Pavilion, but back then I made do with what I had, which wasn't much.

Nonetheless, I persevered, often enlisting my wife for help with "research." Almost daily I would spring from my chair with a question that could only be answered by actually doing it. Was THIS position even possible? Could you really do THAT without ending up in traction? Never before had a writing project brought us so close together.

I'm not ashamed to admit, either, that I would often find myself writing frantically as a monstrous erection strained at my jeans; a sure sign, I felt, that I was on to something truly great. It wasn't art, but I knew what I liked.

Over the course of the book, Shelby became quite the little love monkey, having sex with several men at once, as well as participating in a fun-to-write lesbian three some.

Forty thousand words later, I mailed my precious, unsolicited manuscript - and was quickly rewarded with a sale! Four hundred dollars would be mine if only I would sign the contract, accept a name change (Weekend Wifeswap became The Weekend We Swapped, by Doug Vincent) and attest in writing that I hadn't stolen the work from someone else. I did all three gladly, only to realize later that I had made a whopping one cent per word. Oh well, at least the research had been fun.

And I was a published pornographer! I couldn't wait to tell my family and friends, most of whom were happy for my success, glad I was being paid - and shocked that I had lowered myself to penning such crap. "But," I reassured them repeatedly, "it's good crap. Better than any of the other crap on the market." Of that I was positive.

A lot of friends asked to read my file copy of Weekend Wifeswap, though not very many of them finished it. Well, not very many of the women finished it. In fact, only one was able to get more than ten pages into it, and she was one of my character models. All my male friends loved it, however, and told me they couldn't wait for the next installment.

Not surprisingly, my parents - who have always had a keen interest in my writing career - never asked to read Weekend Wifeswap, and for that I'm grateful. There are some things a son shouldn't share with his mom and dad, and I think a six way orgy filled with nymphos screaming "Do me harder! Do me harder! Unnnggggg!" is one of them. Call me old fashioned.

Fired up by my success, I immediately started the outline for my second magnum opus, Mother's Wild Urges (published as A Mother So Naughty, again by Doug Vincent). I decided to stretch myself as a writer, creating a complicated, character filled study of marital strife, loving neighbors, horny teens and sex with grocery store stock clerks. There's also a sex scene involving the rubber handle of a claw hammer, though the less said about that, the better.

Once I knew where I was going (straight to hell, according to more than a few acquaintances), I grabbed my handy list of body part adjectives and jumped right in, turning my friends into rutting hogs in heat. It was in this book, too, that I introduced the character of Wayne S. Diaz - a favorite inside joke. However, when the book finally came out, Wayne's last name had been changed to Smith. I never did find out if the editors at Greenleaf thought the character was too ethnic, or they just didn't like the gag.

Anyway, Doug Saito, editorial director for Greenleaf, responded quickly to my latest submission: "Mother's Wild Urges is a buy," he wrote. "However, I've got to know if you'll be able to live with the fact that you won't be paid until at least nine months from now (yes, we're in a financial crunch)."

Nine months? I didn't like the sound of that, but I was too overwhelmed by the fact that I was two for two in the smut game to really think about it. I signed the contract and started contemplating my third book. This was, after all, easy money, even if it took a while to get. The books were fun and simple to write, and the market seemed inexhaustible. At a book a month, I thought, I could bring in...an extra $4,800 a year!

Knowing a golden goose when I saw one, I decided to enlist my pal, cartoonist/writer Mark Cantrell, in penning my most daring book yet: Jessica's Class Act.

This touching story tells the tale of Jessica Peters, a divorced housewife who decides to join her twin daughters at a small midwestern college. One of the twins is a nympho, you see, and the other hates sex, so the scene is set for all sorts of zany shenanigans. In fact, by the time we reach the inevitable climactic orgy, our leading lady and her family and friends would have sex with pizza dough, sex with Coke bottles (a scene half of my female pals loved and the other half loathed with a vengeance), sex with teachers, sex with students and sex on an airplane. Indeed, something for everyone.

I wrote a simple outline of the story and Mark and I evenly divided the chapters. Things went smoothly until Mark's computer started acting up, freezing the chapter he had on his screen and preventing him from saving it to disk. Rather than lose the whole thing, he read the chapter into a tape recorder for future inputing - not realizing it was the same cassette on which he had recorded some guitar music for his new girlfriend.

Days later, I was told, said girlfriend was driving to work when suddenly the tape she had been listening to segued from relaxing guitar tunes to Mark reciting his latest sex scene in a fixed monotone: "Bernie's tongue brushed her swollen pussy lips, then suddenly probed deep inside as he sucked her entire mound into his mouth..." Well, you get the idea. Anyway, it really put a unique spin on their relationship.

Working in tandem, Mark and I finished the manuscript fairly quickly. A few last minute tweaks here and there, and the sucker was in the mail. An easy $200 each, I thought.

Boy was I wrong.

I was halfway into Horny Sucking Neighbor, with Reunion Suck Slut waiting in the wings (yes, there was a distinct trend in my subject material) when the figurative ceiling came crashing down on my little sideline.

"Sorry to give you the following bad news in the form of a nonpersonal, Xeroxed form letter: We are cutting back drastically in the number of titles we publish each month," Doug Saito wrote with great seriousness. "We will not be needing any submissions at present. If you have a work in progress, please stop at once. If you have a submission currently in house, there's a good chance that it will be sent back to you. If you have any money owed to you for manuscripts already purchased, payments, to the best of my knowledge, will still be made...but they've been delayed, postponed or rescheduled so many times that I cannot say with any degree of accuracy when checks will go out."

This was news, of course, that I really didn't want to hear. I was still waiting for payment on A Mother So Naughty, not to mention Jessica's Class Act, and now it looked like it was going to take a lot longer than nine months to get any of it.

Well, to make this twisted tale a little shorter, the publisher ended up doing to me what I had been doing to my characters, and he didn't even kiss me first. The nonpayment bothered me, especially because Mark was supposed to get half of one check, but what really pissed me off was the fact that I had two terrific books halfway written and nowhere to go with them. As I write this, they're still in a box, gathering dust, because I can't think of a way to convince Random House to publish a book titled Reunion Suck Slut.

This story does have a happy ending, though - sort of. Just to even the score a little, I ordered 10 copies each of The Weekend We Swapped and A Mother So Naughty, autographed them and gave to friends as Christmas presents.

Unfortunately, in so doing I probably blew any chance I ever had of running for public office. I can see the press conference now: "Mr. Vaughan, does the name Doug Vincent mean anything to you?..."

---

Se Don's website at www.donaldvaughan.com



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